THE TWO JACK FROSTS

by William C. Martell


When Hollywood isn't remaking classics or turning bad TV shows into films, they re ripping off B Movies and hoping that no one will notice. It s bad enough that a couple of years after that HBO World Premiere movie about the scummy deep-core drillers trying to plant nukes in a killer asteroid hurtling toward Earth (WITHIN THE ROCK), Hollywood does their big budget rip-off version (ARMAGEDDON)... or when the year after my HBO World Premiere movie VIRTUAL COMBAT was in the can, Paramount buys a script with the exact same plot called VIRTUOSITY... or when three years after my NIGHT HUNTER premieres on CineMax, New Line does a scene-for-scene remake called BLADE. But now Hollywood is ripping off obscure direct to video flicks.


Like JACK FROST (1996)... becoming JACK FROST (1998).


Yes, kids, there WAS an early frost.


In a fit of masochism, I decided to watch both the 1996 B horror movie version from A-Pix and the big budget 1998 family film version from Warner Bros. and here is my report...


CONCEPT:


In JACK FROST (1998) Michael Keaton plays a killer blues singer named Jack Frost who gets killed in snow storm related car accident on the way to a gig (the biggest day of his life) and is reincarnated as a talking snowman.


In JACK FROST (1996) Scott MacDonald plays a serial killer with the blues named Jack Frost who gets killed in a snow storm related car accident on the way to his execution (the last day of his life) and is reincarnated as a talking, killing snowman.


In JACK FROST (1998) Joseph Cross is Keaton s neglected son, yearning for his father s attention... but dad is too busy with his career. Dad constantly lies to his son, flakes out on an important hockey game, then is too busy to spend Christmas with the family because he has a gig to play.


In JACK FROST (1996) Zack Eginion is the Sheriff (Chris Allport)'s neglected son, yearning for his father s attention... but dad is too busy with his career. Dad doesn't lie to his son, doesn't flake out, but is too busy dealing with a series of gory murders to spend Christmas with the family.


MAN AND SNOWMAN:


In JACK FROST (1998) musician Jack Frost is reincarnated as a snowman after his son plays a magic harmonica.


In JACK FROST (1996) killer Jack Frost is reincarnated as a snowman after he gets splashed with top secret government DNA goo transported in a tanker truck.


In BOTH versions of JACK FROST there is a touching, emotional scene where the lonely son puts the eyes, nose, buttons and hat on the snowman, unaware that it is alive! Really creepy stuff! You expect the snowman to grab the kid at any minute!


JACK'S BACK:


In JACK FROST (1998) Henry Rollins plays a guy who freaks out when he sees the walking, talking snowman, and spends the rest of the film running through town acting crazy.


In JACK FROST (1996) F. William Parker plays a guy who freaks out when he sees the walking, talking snowman, and spends the rest of the film running through town acting crazy.


In JACK FROST (1998) the snowman is created by expensive computer animation, but the black button eyes... black as coal, emotionless, evil... make him look creepy.


In JACK FROST (1996) the snowman is some guy in a bad costume, but the carrot nose and button eyes... cartoonish, obviously fake... make him look silly.


JACK BE NIMBLE:


In BOTH versions of JACK FROST the snowman removes his head and holds it up so that he can see through a high window.


THOSE MEAN BULLY KIDS:


In JACK FROST (1998) the son gets into a snowball fight with a gang of bully snowboarder kids, and is saved when Jack Frost the snowman pummels the lead bully kid with thousands of snowballs. Hooray!


In JACK FROST (1996) the son gets into a fight with a gang of bully sledging kids, and is saved when Jack Frost the snowman cuts of the lead bully kid s head with a sledge blade. Yech!


CRUEL SCENES (part 1):


In JACK FROST (1998) there is a scene where a dog rips off Jack Frost's arm! A scene where Jack Frost is hit by a snowplow and dumped into a snow bank! A scene where Jack Frost's head falls off, and he makes a few smart-ass remarks before putting it back on.


In JACK FROST (1996) there is a scene where Jack Frost smashes a woman's face into tree decorations until she dies! A scene where Jack Frost shoves an axe handle down a guy s throat! A scene where Jack Frost s head falls off, and he makes a few smart-ass remarks before putting it back on.


In JACK FROST (1998) there is a creepy scene where Jack Frost (snowman) follows the son around, stalking him, frightening him.


In JACK FROST (1996) there is a creepy scene where Jack Frost (snowman) follows the son around, stalking him, frightening him.


JACK THE RIPPER:


In JACK FROST (1998) there is a terrifying scene where the son hangs off the edge of a cliff! A frightening scene where bully kids are smashed flat by a giant Indiana Jones snowball! A scary scene where a bully kid rolls down a cliff!


In JACK FROST (1996) there is a really silly scene where a babe gets naked and takes a bath... not knowing that the water in the tub is really Jack Frost in his liquid state. Sort of Jack and Jill in a pail of water...


NIPPING AT YOUR TOES:


JACK FROST (1998) has a suspense scene where the babelicious mom (Kelly Preston) is about to discover the walking, talking, smart-ass snowman is in her kitchen after noticing a big wet footprint/puddle on the linoleum.


JACK FROST (1996) has a suspense scene where the babelicious mom (Eileen Seeley) is about to discover the walking, talking, smart-ass snowman is in her kitchen after noticing a big wet footprint/puddle on the linoleum.


EVERYTHING BUT THE KITCHEN SINK:


In BOTH versions of JACK FROST a leaky kitchen sink in babelicious mom's house figures into the plot.


THE SNOWMAN TALKS!


Sample funny dialogue from JACK FROST (1998) - "You the man!" "No, YOU the man!" "No, I'm the SNOW man!" (Jack and his son bonding)


Sample funny dialogue from JACK FROST (1996) - "Hey! I can see your house from here!" (Jack catapulted into the air)


YOU DON'T KNOW JACK:


In BOTH versions of JACK FROST no one seems to find anything unusual or silly about a walking, talking, wise-ass snowman. It's as if this kind of thing happens every day. In the big budget family film version, the son has no problem believing in the talking snowman, but needs to be convinced that it's his musician dad, Jack Frost, reincarnated.


In the B movie horror version, the FBI and Sheriff have no trouble believing that the talking snowman is killing people, or that it's really serial killer Jack Frost reincarnated. The only characters who think a talking snowman is a crazy idea are portrayed as crazy themselves. Both films never try to come up with a rational explanation for why a guy would be reincarnated as a snowman, instead they try (and fail) to create a world where being reincarnated as a snowman is a normal occurrence. (Yeah, that happened to my Uncle Phil... my Uncle Harvey was reincarnated as an invisible rabbit...)


In JACK FROST (1998) the son tells the bully that the talking snowman is his dad, and the bully JUST BELIEVES HIM! Then, for some dumb reason, becomes the son s friend/helper! Huh?


In JACK FROST (1996) a scientist tells the FBI agent that the talking snowman is the serial killer, and the FBI agent JUST BELIEVES HIM! Then, for some dumb reason, the FBI agent and scientist team up to capture the snowman! Huh?


I'M MELTING:


In JACK FROST (1998) Jack's days are numbered because a warm front is moving in, melting the snow on the town's streets. In one scene, the son threatens Jack Frost with a hair dryer... really sick, if you consider it s his reincarnated dad!


In JACK FROST (1996) they filmed someplace where there wasn't any snow on the streets in the first place... but they spread around some white "snow blankets" to make it look like winter. It looks like it's about 80 degrees in most of the scenes. You wonder what effect heat has on Jack Frost. In one scene, the Sheriff threatens Jack Frost with a hair dryer... really confusing if you consider that Jack Frost has the power to turn into water in order to sneak under locked doors, then re-freeze himself into a snowman. If they blast him with hair dryers, why doesn't he just use his re-freezing powers.


JACK IN THE BOX:


In JACK FROST (1998) the son tries to keep Jack from melting by jamming him inside the kitchen freezer... almost caught by mom when she notices the melting ice cubes.


In JACK FROST (1996) Jack gets the drop on some teenagers by jamming himself in the kitchen freezer... then attacking when they look for ice cubes.


JACKING OFF:


In the late JACK FROST (1998) the snowman gets knocked to pieces, and re- assembles himself WRONG! Head in the wrong place, arms in the wrong place, etc. Of course, he makes a wise-ass remark about it.


In the early JACK FROST (1996) the snowman gets knocked to pieces, and re- assembles himself WRONG! Head in the wrong place, arms in the wrong place, etc. Of course, he makes a wise-ass remark: "Look, I'm a Picasso!"


CRUEL SCENES (part 2):


In JACK FROST (1998) in a tender, touching scene, the son slams holes in his reincarnated snowman dad with hockey pucks - about a dozen holes - you can see right through all of them! But Jack scares the hell out of his son by sneaking up behind him and yelling BOOOO! a couple of times as revenge. Jack Frost ties a dog to a sledge and WHIPS IT as if it s a dog team! But still, Frost MELTS in the heat - sizzling across a hot asphalt parking lot... losing many of his precious bodily fluids! And, did I mention the son trying to melt his ass with a hair dryer?


In JACK FROST (1996) they use hair dryers to melt half of Jack's head off, stab him with ice picks, throw him out a window, run over him with a car, and toss him in a furnace. Actually, nothing in the horror movie version holds a candle to the cruel, evil, sick stuff that happens in the family film version!


I ONLY HAVE ICE FOR YOU:


In the later FROST, the son gets his snowman dad into the mountains before he melts. But snowman dad tells the kid that his job on earth is over (I guess he scared the crap out of enough people) and it s time for him to move on. But Jack has seen Spielberg s E.T. in his pre-snowman days, so he tells his son, "If you ever need me, I'll be right here," and touches the kid's heart. Then there s a bunch of special effects and the snowman seems to blow away... up to heaven!


In the early FROST, they kill him by forcing him into a pick-up truck bed filled with anti-freeze. Jack dissolves, his arm falls off, and other fake looking effects happen and the snowman melts away... down to hell!


CONCLUSIONS:


BOTH versions of JACK FROST end with white credits on a black background, with cute little cartoons of snowmen in the margins. I swear - it's the exact same credit sequence! (Only the names were changed to protect the guilty!) Both end title rolls have jokes hidden in the credits, with the family film claiming that "No Snowmen Were Harmed In The Making Of This Film".


Come on! Of the two JACK FROSTs, the family comedy provides more horror and cruelty, while the horror version is actually funnier! The horror version actually has better family values, and more characters with more morals! It s a strange, strange world we live in, Master Jack!


...FADE OUT




COMING SOON!

bluebook

This weekend?

*** SELLING BLUE BOOK *** - For Kindle!


Should really be called the BUSINESS BLUE BOOK because it covers almost everything you will need to know for your screenwriting career: from thinking like a producer and learning to speak their language, to query letters and finding a manager or agent, to making connections (at home and in Hollywood) and networking, to the different kinds of meetings you are will have at Studios, to the difference between a producer and a studio, to landing an assignment at that meeting and what is required of you when you are working under contract, to contracts and options and lawyers and... when to run from a deal! Information you can use *now* to move your career forward! It's all here in the Biggest Blue Book yet!

Print version was 48 pages, Kindle version is going to be around 350 pages!

Only $3.99 - and no postage!





bluebook

BRAND NEW!

*** HOOK 'EM IN TEN *** - For Kindle!


Your story doesn't get a second chance to make a great first impression, and this book shows you a bunch of techniques on how to do that. From the 12 Basic Ways To Begin Your Story, to the 3 Stars Of Your First Scene (at least one must be present) to World Building, Title Crawls, Backstory, Starting Late, Teasers and Pre Title Sequences, Establishing Theme & Motifs (using GODFATHER PART 2), Five Critical Elements, Setting Up The Rest Of The Story (with GODFATHER), and much more! With hundreds of examples ranging from Oscar winners to classic films like CASABLANCA to some of my produced films (because I know exactly why I wrote the scripts that way). Biggest Blue Book yet! Print version was 48 pages, Kindle version is over 100,000 words - 312 pages!

Only $3.99 - and no postage!


bluebook

NO SCENES WE'VE SEEN BEFORE!

*** SCENE SECRETS *** - For Kindle!

***

What is a scene and how many you will need? The difference between scenes and sluglines. Put your scenes on trial for their lives! Using "Jaws" we'll look at beats within a scene. Scene DNA. Creating set pieces and high concept scenes. A famous director talks about creating memorable scenes. 12 ways to create new scenes. Creating unexpected scenes. Use dramatic tension to supercharge your scenes. Plants and payoffs in scenes. Plus transitions and buttons and the all important "flow"... and more! Over 65,000 words! Print version was 48 pages, Kindle version is around 210 pages!

Only $3.99 - and no postage!


bluebook

WRITE PICTURES!

*** VISUAL STORYTELLING *** - For Kindle! (exclusive)


Show Don't Tell - but *how* do you do that? Here are techniques to tell stories visually! Using Oscar Winning Films and Oscar Nominated Films as our primary examples: from the first Best Picture Winner "Sunrise" (1927) to the Oscar Nominated "The Artist" (which takes place in 1927) with stops along the way Pixar's "Up" and Best Original Screenplay Winner "Breaking Away" (a small indie style drama - told visually) as well as "Witness" and other Oscar Winners as examples... plus RISE OF THE PLANET OF THE APES. Print version is 48 pages, Kindle version is over 200 pages!

Only $3.99 - and no postage!


bluebook

Brand New For Screenwriters & Filmmakers

*** HITCHCOCK: EXPERIMENTS IN TERROR! *** - For Kindle!

***

Contained Thrillers like "Buried"? Serial Protagonists like "Place Beyond The Pines"? Multiple Connecting Stories like "Pulp Fiction"? Same Story Multiple Times like "Run, Lola, Run"?

HITCHCOCK DID IT FIRST!

This book focuses on 18 of Hitchcock's 53 films with wild cinema and story experiments which paved the way for modern films. Almost one hundred different experiments that you may think are recent cinema or story inventions... but some date back to Hitchcock's *silent* films! We'll examine these experiments and how they work. Great for film makers, screenwriters, film fans, producers and directors.

Only $4.99 - and no postage!


MY BLOG!

Underpants T shirt SCRIPT SECRETS STORE
Start The Day The Coffee Way!


Enter your Email to join my newsletter:



bluebook

MAKES A GREAT GIFT!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!

*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!

Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!

"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio). (ie; 4 of the top 20 Box Office Hits Of ALL TIME.)

Only $9.99 - and no postage!


bluebook

GOT STORY?

*** STORY: WELL TOLD *** - For Kindle!


This book takes you step-by-step through the construction of a story... and how to tell a story well, why Story always starts with character... but ISN'T character, Breaking Your Story, Irony, Planting Information, Evolving Story, Leaving No Dramatic Stone Unturned, The Three Greek Unities, The Importance Of Stakes, The Thematic Method, and how to create personal stories with blockbuster potential. Ready to tell a story? Print version was 48 pages, Kindle version is over 85,000 words - 251 pages!

Only $3.99 - and no postage!


bluebook

DESERT TO DESSERT!

*** ACT TWO SECRETS *** - For Kindle!


Expanded version with more techniques to help you through the desert of Act Two! Subjects Include: What Is Act Two? Inside Moves, The 2 Ps: Purpose & Pacing, The 4Ds: Dilemma, Denial, Drama and Decision, Momentum, the Two Act Twos, Subplot Prisms, Deadlines, Drive, Levels Of Conflict, Escalation, When Act Two Begins and When Act Two Ends, Scene Order, Bite Sized Pieces, Common Act Two Issues, Plot Devices For Act Two, and dozens of others. Over 67,000 words (that's well over 200 pages) of tools and techniques to get you through the desert of Act Two alive! Print version was 48 pages, Kindle version is over 208 pages!

Only $3.99 - and no postage!


bluebook

KINDA NEW!

*** SUPPORTING CHARACTER SECRETS *** - For Kindle! (Exclusive)


Expanded version with more techniques to flesh out your Supporting Characters and make them individuals. Using the hit movie BRIDESMAIDS as well as other comedies like THE HANGOVER and TED and HIGH FIDELITY and 40 YEAR OLD VIRGIN and many other examples we look at ways to make your Supporting Characters come alive on the page. Print version was 48 pages, Kindle version is around 170 pages!

Only $3.99 - and no postage!


bluebook

GOT IDEAS?

*** YOUR IDEA MACHINE *** - For Kindle!

*** YOUR IDEA MACHINE *** - For Nook!

Expanded version with more ways to find great ideas! Your screenplay is going to begin with an idea. There are good ideas and bad ideas and commercial ideas and personal ideas. But where do you find ideas in the first place? This handbook explores different methods for finding or generating ideas, and combining those ideas into concepts that sell. The Idea Bank, Fifteen Places To Find Ideas, Good Ideas And Bad Ideas, Ideas From Locations And Elements, Keeping Track Of Your Ideas, Idea Theft - What Can You Do? Weird Ways To Connect Ideas, Combing Ideas To Create Concepts, High Concepts - What Are They? Creating The Killer Concept, Substitution - Lion Tamers & Hitmen, Creating Blockbuster Concepts, Magnification And The Matrix, Conflict Within Concept, Concepts With Visual Conflict, Avoiding Episodic Concepts, much more! Print version is 48 pages, Kindle version is over 175 pages!

Only $3.99 - and no postage!


bluebook

ALL ABOUT CHARACTER!

*** CREATING STRONG PROTAGONISTS *** - For Kindle!

*** CREATING STRONG PROTAGONISTS *** - For Nook!

Expanded version with more ways to create interesting protagonists! A step-by-step guide to creating "take charge" protagonists. Screenplays are about characters in conflict... characters in emotional turmoil... Strong three dimensional protagonists who can find solutions to their problems in 110 pages. But how do you create characters like this? How do you turn words into flesh and blood? Character issues, Knowing Who Is The Boss, Tapping into YOUR fears, The Naked Character, Pulp Friction, Man With A Plan, Character Arcs, Avoiding Cliche People, Deep Characterization, Problem Protagonists, 12 Ways To Create Likable Protagonists (even if they are criminals), Active vs. Reactive, The Third Dimension In Character, Relationships, Ensemble Scripts, and much, much more. Print version is 48 pages, Kindle version is once again around 205 pages!

Only $3.99 - and no postage!


bluebook

41 TECHNIQUES!

*** DIALOGUE SECRETS *** - For Kindle!

*** DIALOGUE SECRETS *** - For Nook!

Expanded version with more ways to create interesting protagonists! How to remove bad dialogue (and what *is* bad dialogue), First Hand Dialogue, Awful Exposition, Realism, 41 Professional Dialogue Techniques you can use *today*, Subtext, Subtitles, Humor, Sizzling Banter, *Anti-Dialogue*, Speeches, and more. Tools you can use to make your dialogue sizzle! Special sections that use dialogue examples from movies as diverse as "Bringing Up Baby", "Psycho", "Double Indemnity", "Notorious", the Oscar nominated "You Can Count On Me", "His Girl Friday", and many more! Print version is 48 pages, Kindle version is over 160 pages!

Only $3.99 - and no postage!


bluebook

BRAND NEW!

*** VINTAGE #1: HOW TO WRITE PHOTOPLAYS *** - For Kindle!

***

Screenwriting books have been around as long as films have. This series reprints vintage screenwriting books with a new introduction and history, plus new articles which look at how these lessons from almost 100 years ago apply to today’s screenplays. Anita Loos book is filled with information which still applies. In addition to the full text of the original book, you get the full screenplay to Miss Loos' hit THE LOVE EXPERT, plus several new articles on the time period and women in Hollywood.

Only $2.99 - and no postage!




hcd

FINAL DRAFT SOFTWARE

Use your creative energy to focus on the content; let Final Draft take care of the style. Final Draft is the number-one selling application specifically designed for writing movie scripts, television episodics and stage plays. Its ease-of-use and time-saving features have attracted writers for almost two decades positioning Final Draft as the Professional Screenwriters Choice. Final Draft power users include Academy, Emmy and BAFTA award winning writers like Oliver Stone, Tom Hanks, Alan Ball, J.J. Abrams, James Cameron and more. * * * Buy It!

copyright 2015 by William C. Martell


eXTReMe Tracker
SECRETS OF ACTION SCREENWRITING

bluebook IT'S BACK! SECRETS OF ACTION SCREENWRITING
Over 460 pages packed with tips and techniques. How to write a plot twist, the four kinds of suspense (and how to create it), reversals, ten ways to invent new action scenes, secrets and lies, creating the ultimate villain, five kinds of love interests, MORE! CLICK HERE!

CLASSES ON CD

Class CDs CLASSES ON CD! Take a class on CD! GUERRILLA MARKETING - NO AGENT? NO PROBLEM! and WRITING THRILLERS (2 CDs). Full length classes on CD. Now Available: IDEAS & CREATIVITY, WRITING HORROR, WRITING INDIE FILMS, more!
Take classes on CD!

ONLINE CLASSES
Furious Action Class
MY OTHER SITES

B MOVIE WORLD
Cult Films, Exploitation, Bikers & Women In Prison, Monster Movies.

FIRST STRIKE PRODUCTIONS
Producing my own scripts, investment possibilities, pipe dreams.

NAKED SCREENWRITING CDs

Naked Class The NAKED SCREENWRITING CLASS ON CD! The 2001 London Class on 8 CDs! Recorded *live* the morning after the Raindance Film Festival wrapped. The two day class on 8CDs, plus a workbook, plus a bonus CD.
The 2 Day Class on CD!

BOOKSTORE

Every screenwriting book in the world!
SCREENWRITER'S BOOKSTORE
In Association With Amazon.com
From the latest screenwriting book to guides for finding agents and producers... all with at the Amazon.com discount!

SCRIPT SECRETS STORE

Script Secret Store SCRIPT SECRETS STORE From Typing Monkey coffee cups to messenger bags to T shirts - everything a screenwriter needs to look sharp while working on that Oscar nomination! Get your Script Secrets Coffee Cup today!

BILL'S CORNER

My nineteen produced films, interviews with me in magazines, several sample scripts, my available scripts list... And MORE!
...............................BILL'S CORNER


Available Scripts

E BOOKS PAGE

bluebook E BOOKS: New Blue Books and Novelettes!
I am expanding all of the Blue Books from around 44 pages of text to around 200 pages! Some are over 250 pages! See what is availabale and what is coming soon!Also, I've been writing Novelletes and there will soon be novels.
E BOOKS: BLUE BOOKS & NOVELLETES

BOOKLETS & PRODUCTS

bluebook FIRST STRIKE BLUE BOOKS
Each Blue Book is 48 pages and focuses on a different aspect of screenwriting. Dialogue. Visual Storytelling. Your First Ten Pages. Act 2 Booster. Protagonists. Great Endings.
Seventeen Blue Books now available!

THE SECRETS OF ACTION SCREENWRITING OUT OF PRINT!