FRIDAY'S SCRIPT TIP:

VISUAL CHARACTER ARC


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Changes in character are best when shown through a change in actions. In Bill Kelly, Earl & Pamela Wallace's WITNESS John Book begins as a violent Philadelphia cop - he drags a suspect out of a bar, beats him up, and slams his face against the police car window so the little boy can make an identification. This action establishes his character... and sets up his character arc. In order to show John Book's transformation from violence to peaceful, we first must SHOW him as violent. If the writers had opted to have fellow detectives TELL us how violent Book is, we wouldn't believe it. Hey - that's Harrison Ford. We know he's a nice guy. In order to make us believe Ford's character is violent, we NEED to see him do something violent. SEEING is believing.

After he's shot he goes to live among the Amish while he recovers. Though he's on his best behavior, he picks a fight or two - slugging an obnoxious tourist who taunts his Amish friends. But we can SEE him struggling against his violent nature in these scenes. We can SEE him changing. Each scene that forces Book to decide between violence and a peaceful solution to the problem SHOWS us the subtle changes in Book's character through his actions.

By the end of the film, the villains invade Amish Country. The opening scenes use contrast to show how out of place the peaceful Amish are in violent Philadelphia - Rebecca and Samuel are at odds with the others in the train station and later the police station. In those scenes, Book's character matched the world he lived in. Now contrast is used again - this time showing the difference between the three killer cops and the peaceful Amish countryside. Once again, Book's character matches the world he lives in - he's been transformed from a violent cop to a simple barn builder. This allows us to contrast Book to the characters he used to be like, including his mentor Paul.

Contrast is a form of conflict, and conflict always brings character to the surface.

Though the three cops use "Philadelphia methods" to attack Book, he resolves this problem without violence - using "Amish methods". Instead of killing the villain, he and the community surround the villain and shun him. Book has learned to be part of the non-violent community. We SEE his character growth through his actions, he never SAYS it anywhere in the film.

You know where your lead starts out and you know where you want them to end up. Make a list of the scenes tat SHOW the change in your lead character through actions.

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This is the program that I use. Very simple - I still haven't read the instruction book. When I first bought the program, I had sold a script and got an assignment - and decided to go from my macro to an actual screenwriting program. I went into The Writer's Store and asked for the easiest to use program they had, and that was MM. I started writing that assignment without ever reading the instruction book! One key stroke does *everything*. Automatically formats your script, putting character names, scene headings, and action in the appropriate places. It also has a character name list, so you only have to hit the first letter of any character's name and it automatically fills it in. The other great thing (at least for me) is that Movie Magic also makes the most used programs for budgeting and scheduling films - and all a producer has to do is import your script to the budgeting program! Makes it easier if your script is actually being produced. If you're looking for a screenwriting program, this is the one I recommend. Buy It!

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